Amelie Briggs

Gorni is a display serif font with a romantic vibe, perfect for maintaining simplicity but with a special flair.

Its special characters and ligatures make your text unique and distinguished, including both regular and smallcaps versions, you may mix them and create amazing compositions, ideal for titling, posters, cards, etc.

Includes: More - Special ligatures - Swashes and alternates - Open Type features - Both Regular (382 glyphs) and Small Capitals (290 glyphs) version - Punctuation special glyphs, numbers and symbols - Both .

ttf and .otf versions

Dirk is a strong, heavy slab serif meant for large, attention grabbing display use. Dirks design lives somewhere between a Clarendon wood type style and a more modern geometric slab serif.

It features the bracketed serifs, large x-height, and short ascenders/descenders of a Clarendon design, but drawn with the precision curves and smooth, sturdy structure of a geometric slab.

The result retains the charm of wood type, but sheds a lot of the over-familiarity and sameness of a digital revival.

Dirk is available in both a clean, Black weight as well as a Stencil version.

Each styles feature a full Western, Central, and South Eastern European character set.

Electrica is a contemporary monospaced typeface family; a tribute to classic typewriters, while designed for todays needs and media.

In spite of taking inspirations from several typefaces used in typewriters (most notably the IBM Selectric), Electrica is far from a revival: its a typeface on its own, winking to the past while standing its ground confidently in a contemporary environment.

- Heptal is a typeface family with five weights including true italics. The geometry of the characters is neo-gothic and the serifs are polygonal concave or inverted Tuscan.

- Heptal fonts offer a complete set of lowercase alternatives and advanced open type functions.

- The proportions, the metrics and the Kerning are meticulously configured so that the texts are shown fluid and the graphic stain is compensated.

- These fonts have a wide table of characters (530 glyphs) with support for all the languages derived from Latin.

Tara is a family of serif fonts designed for immersive reading. Its design considers a tall x-height, balanced with high contrast letter-forms and wedge-shaped serifs that propose an elegant character functional at reading sizes.

The axis of stress running through the letters is almost vertical; however, Tara is inspired by oldstyle typefaces, characterized by their use of diagonal axes.

The family includes four weights that range from Regular through Bold with matching italics.

Many of Taras lowercase letters retain calligraphic traces in their details, such as the terminal on the upright lowercase a and the ear of the g.

The italics contain a few dozen swash alternates, for use in headlines, titles as well as logo designs.

All of the fonts include small caps, 14 f-ligatures, and case-sensitive punctuation.

The default numeral style is set at proportional oldstyle figures with tabular and lining figures available as OpenType alternates.

A full-range of numerators and denominators for fraction-typesetting has been included for its compatibility with a widespread range of contents.

With letter-forms quite comfortable to read, Taras language support covers an extended Latin character-set and is an excellent choice for editorial projects across print media.

Tara was designed by Tania Alvarez Zaldivar, a type and graphic designer from Mexico, and a graduate of the Type & Media program at the Royal Academy of Arts (KABK) in The Hague.